This week I managed to get up to see the From Russia exhibition at the Royal Academy of Art in London. In particular, I was keen to see the collections of French art assembled by Shchukin and Morozov, reappearing for the first time in the West since they were bought in the early years of the 20th century.
To be honest, I found the exhibition bit of a disappointment generally. A lot of the Russian stuff I found very poor and/or highly derivative. However, it was worth the price of admission alone for the relatively small number of paintings by Cezanne, Derain, Matisse, and Picasso. There were also some fine works by Kandinsky and Malevich on display. My highlights:
Paul Cezanne, Bridge Over the Marne at Creteil (1894?)
Pablo Picasso, Farm Woman (bust) (1908)
Henri Matisse, Nude (Black & Gold) (1908)
I had never seen this Matisse before, and it completely blew me away: the boldness of execution, the use of colour. It’s so rough, so far removed from ‘reality’, and yet manages to be a totally convincing representation of the woman. Sculptural!
Henri Matisse, Harmony In Red (1908)
One of my favourite Matisse’s. I would have paid the £11 just to come and see this, and it didn’t disappoint. The image above gives no real indication of the impact it has in real life: it’s huge—over 2 metres wide—and the depth and richness of that red really is something. Interestingly, this painting was originally called Harmony In Blue, but just before it was due to be delivered to Shchukin Matisse repainted it. Although you can’t see it on the image above (which has been cropped slightly), Matisse left a thin strip of the original blue around the edge. This creates the illusion that this huge expanse of red is somehow floating on the canvas: a brilliant touch.
Wassily Kandinsky, Winter (1909)
Kazimir Malevich, Red Square (1915)
Kazimir Malevich, Black Circle (c.1923)
Finally, there was a large model of Tatlin’s Monument to the Third International. The model wasn’t all that fantastic, but there was a film looping in the same room that showed what St. Petersburg would have looked like had it been built. In other words, they taken archive footage and inserted a CGI model of the building into the landscape, and ‘aged’ the model so that it blended in with the grainy black & white film stock. Incredibly convincing.
Although this isn’t that film, here’s a similar short from YouTube that at least gives an impression of what I’m talking about:
So, despite my reservations about much of the work on show, I’m really glad I made the effort to go. It really was one of those once-in-a-lifetime opportunities to directly experience some great works of art. Sweet…