Last year I started working with ex-Barracudas frontman Jeremy Gluck. Our first project together was this track from his album The Self, released on the now-defunct SWND label:
March 29, 2023
by PH
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March 29, 2023
by PH
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Last year I started working with ex-Barracudas frontman Jeremy Gluck. Our first project together was this track from his album The Self, released on the now-defunct SWND label:
May 3, 2021
by PH
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Available now as digital download on Bandcamp. CD available May 24:
July 13, 2020
by PH
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Opening track from the Osaka Story EP:
Available on Bandcamp. I remain grateful to the Arts Council of Wales (via their Wales Arts International scheme) for funding this project.
July 4, 2020
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A short film I made in collaboration with glass artist Chris Bird-Jones. It has been accepted into the Glass, Meet the Future International Film Festival currently running at Northlands Creative.
July 4, 2020
by PH
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Available now on Bandcamp.
June 17, 2020
by PH
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As an artist, I objected to streaming for many reasons. […] With streaming, the person who wrote the song gets paid, but those who performed on the record get very little or nothing. The digital age has made it possible to cut out the original artists from the profit chain. With that happening, there really was no reason for artists to try to create music if they couldn’t make a living from it.
The industry’s answer to the artists’ loss of revenue was for the artists to make their living by just doing live performances. That was Silicon Valley’s answer, too. We’re giving away your music, taking away your income from selling your recordings, but you can make a living by playing live. In 2017, the artists who actually created the music got just 12 percent of the music industry’s $43 billion in revenue. This is the new age of digital music.
– Neil Young
April 30, 2020
by PH
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The facts:
“The film has the stiff and self-punishing feel of a cinematic hair-shirt” – Richard Brody
Talking about a series of five made-for-TV films made by Godard at this time—of which British Sounds is the first—Colin MacCabe has written:
“Considered as conventional documentaries they are unwatchable; considered as experiments in sound and image they contain lessons even more relevant today than when they were made.”
February 1, 2020
by PH
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This film was shot at various locations in and around Osaka in August 2019.
The film formed part of my submission to 1SSUE 43. A version is currently showing at the Swansea Open exhibition at the Glynn Vivian Gallery. I remain grateful to the Arts Council of Wales (via their Wales Arts International scheme) for funding this project.
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December 20, 2019
by PH
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September 10, 2019
by PH
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Here are the two films I produced for the Mirror exhibition at Art Spot Korin, Kyoto, 30 July – 11 August 2019.
白紙 [Blank Paper] is a Japanese language film that toys with narrative convention. It is sampled, intertextual, and semiotically dense. 静物 [Still Life] is exactly the opposite.
白紙 [Blank Paper] has also been submitted as my contribution to 1SSUE 42.
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