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July 4, 2020
by PH
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Silver Lining

A short film I made in collaboration with glass artist Chris Bird-Jones. It has been accepted into the Glass, Meet the Future International Film Festival currently running at Northlands Creative.

July 4, 2020
by PH
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Osaka Story EP

Available now on Bandcamp.

June 17, 2020
by PH
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Quote of the Month

As an artist, I objected to streaming for many reasons. […] With streaming, the person who wrote the song gets paid, but those who performed on the record get very little or nothing. The digital age has made it possible … Continue reading

April 30, 2020
by PH
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British Sounds

The facts: 1969 made-for-TV film by Jean-Luc Godard. The voice-overs are largely adapted from the Communist Manifesto. Godard claimed that the “news presenter” text was adapted from speeches by contemporary politicians. The “feminist” text is written and recited by Sheila Rowbotham. … Continue reading

February 1, 2020
by PH
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Empty Orchestra 空のオーケストラ

This film was shot at various locations in and around Osaka in August 2019. The film formed part of my submission to 1SSUE 43. A version is currently showing at the Swansea Open exhibition at the Glynn Vivian Gallery. I … Continue reading

December 20, 2019
by PH
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Cuss Cuss Variations

September 10, 2019
by PH
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Japan 211

Here are the two films I produced for the Mirror exhibition at Art Spot Korin, Kyoto, 30 July – 11 August 2019. 白紙 [Blank Paper] is a Japanese language film that toys with narrative convention. It is sampled, intertextual, and semiotically … Continue reading

August 16, 2019
by PH
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Japan 207

It would need a better man than I to unravel the semiotic layers embedded in this:

March 17, 2019
by PH
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One

This video is part of the submission to 1SSUE 41 by Carl “CJ” Boland and myself. Last year when Heather Parnell and I spent a month in Japan this is what I was doing. The majority of the footage was … Continue reading

March 3, 2019
by PH
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‘Dreaming Detroit’ Review

From this month’s SoundBoard magazine, a review of my Dreaming Detroit EP. Great review! Sounds like he’s actually given it a proper listen and totally “gets it”. Thank you Keith Williams—the Milky Bars are on me…

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