The evening of Thursday 23rd October.
The Baroque Cello Project
At the urging of my better half we ventured up to Arcade Cardiff and the Baroque Cello Project. I had no idea what to expect, but in very simple terms it’s a collaborative piece based around the building of (yes, you guessed it…) a Baroque cello, the constituent elements being the cello itself, the bits of wood left over, a piece composed for the cello, and a soundscape produced from the sounds generated by the luthier when building the instrument. The conceptual underpinning could therefore be summed up in a single sentence from the hand-out: what happens when the disregarded is given the same close attention as the instrument?
Overall impression: pleasantly surprised. I was particularly interested in the decision by the artist, Leona Jones, not to manipulate the found sounds. More performances scheduled in the next couple of weeks: details on their website.
Further up then to the National Museum of Wales and the private view for the 6th Artes Mundi International Art Exhibition and Prize.
Chocolate sculpture: smells fabulous…
Back to the electric goat. Whatever else you make of it, it produces a lovely sound:
Needless to say the place was heaving, and so it was very difficult to concentrate on the works themselves. Still, as a show it’s clearly got a really interesting and challenging mix of approaches, materials, and intention on display. We’ll be going back for a more considered appreciation.
And you’d have to say it’s great to see such a major event happening in Cardiff. Nice…